— Custom Shop —

A good friend recently approached us to see if we could work some “magic” for his pair of LA 610s. The LA 610 has become a somewhat iconic channel strip in today’s recording world. We figured an LA 610 modification would be a fun project. 

OK, so technically speaking the LA610 is neither LA2A nor 610.

The mic preamp, although similar, differs from the original 610 in some significant ways. And the compressor section is only loosely based on the LA2/LA2A.  It uses a T4-like opto element (called the T4UA) and an LA2A style gain control amplifier. All else-the level detection, make-up gain, and output drive circuits-are completely different.

The amazing thing about the LA 610 is that it presents us with a wonderful opportunity for customization.

For this project, we began by using the old green 610 console as a reference.  We modified the LA610's mic preamp and EQ circuitry to be a copy of the highly regarded original, including input impedances, gain staging and bias points.

For the compression section, we made the Teletronix LA2A our reference point.

We began by adapting the LA 610's design to use a T4B instead of the T4UA, and we altered the gain control amplifier circuit to be a copy of an early Teletronix LA2A. This way, our friend could use any T4B desired-NOS originals, modern UA versions, Drip, Kenetek, homebrew, etc.  Since we were given TWO LA610's to work on, a link feature seemed like a great touch, so we added that too.   That meant our friend could now use his two modified LA610's in stereo compression mode.

For the output section, we borrowed from the the LA2 and LA2A again...

and added a high-current output stage. Among other things, this reduced the amount of  distortion we were measuring in the output signal.

For the power supply, we added choke filtration, and increased heater supply from 5 volts to 6.3 volts.

Although a choke filtered supply isn't original to the 610 or LA2A, adding one gave nice results.  It helped in reducing the LA610's noise floor, and seemed to alleviate some of that "fizzy" quality it had.

For increased flexibility, we added bypass and routing capability to the mic/line, EQ, and compressor sections.

This way the mic pre, compressor or EQ could be used  by themselves if desired, or the EQ could be routed to post-compressor.  We felt this would really unlock the power of our friend's LA 610 as a studio tool.

And finally, we added something unique:

All these changes we made lowered the distortion by a considerable amount.  Our friend still wanted his LA610's to have the ability to saturate, so we added a feature we called "GROWL".  It's a concept we borrowed from the old EMI TG12413 and Siemens U273 limiters. Think of it like a Level-Loc-meets-transformer type of saturation.  It sounds very nice on kick or snare!

For a comprehensive set of A/B tests as well as an explanation of our tests,

Please click here.

Since our friend was so pleased with his LA 610 mod..

... we figured we'd give everyone else the same opportunity.  While we don't plan on offering this for very long, it's a great way to expand the flexibility of your LA 610.

Pricing:

T4B mod:

  • alters the LA 610 to utilize a T4B element for compression $199

 

T4B and true 610 style preamp/EQ circuitry:

  • alters the LA 610's preamp and EQ circuitry to be a copy of the highly regarded original 610 preamp and EQ
  • adds the ability to use a T4B element for compression $395

 

Full modification features:

  • standalone functionality for mic/line, compressor, and EQ sections
  • pre/post compression routing flexibility to EQ
  • alters compression circuitry to use T4B instead of T4UA
  • changes mic/line and EQ section to true 610 style circuitry
  • LA2/LA2A style output circuitry.
  • choke filtered power supply
  • compressor link capability.
  • saturation ("GROWL") feature.
  • black anodized faceplate overlay and CC&E logo.  $495